許劍揚/油畫-松風閣畫廊

許劍揚
1973，中國

Xu Jian Yang
1973, China

現為美國美中商務中心、台灣名典畫廊、松風閣畫廊、香港多名利洋行簽約的知名畫家，1973年出生於中國石雕名城泉州惠安的石雕世家，從小接受造型藝術薰陶，18歲則開始藝術創作的歷程，作品《惠安女》、《老家》、《鄉土情》等作品都曾在國內不同的展項中獲獎。2004年在台灣名典畫廊舉辦【當代油畫藝術聯展】，他的作品也被台灣、香港、美國、日本以及東南亞的知名收藏家所收藏。

Now he is a well-known painter signed by the United States-China Business Center, Taiwan Mingdian Gallery, Songfengge Gallery, and Hong Kong Duoli Matheson. He was born in 1973 in a stone carving family in Hui'an, Quanzhou, a famous stone carving city in China. He has been influenced by plastic arts since he was a child. The history of artistic creation, works such as "Hui'an Girl", "Hometown", "Local Love" and other works have won awards in different exhibitions in China. In 2004, the "Contemporary Oil Painting Art Exhibition" was held in Taiwan's Mingdian Gallery, and his works were also collected by well-known collectors in Taiwan, Hong Kong, the United States, Japan and Southeast Asia.

海的博大和變化從小就給了許劍揚深刻的印象，造就了他藝術作的靈魂，海是多變的，有時靜若處子，有時洶湧咆哮，在大海和本我中，他選擇了寧靜，平淡；在寧靜中感受宇宙和自然的變化對宇宙浩森的哲思，他的平淡並非平凡與枯竭，而是要在有限的空間中，宣洩出世界瞬息萬變的博大精深。
看似簡約潔淨的意象深深地投射出豐富的寧靜，隨物賦形，達到了平淡之美、外枯而中膏的天籟之美，大大的拓展了畫中意象的表達空間，而這種藝術思想的形成更體現了東方人意味著純正的精神境界，而從心理結構出發，解析出山水文化韻涵著文化心理的情感及色彩，它既入理又含情

The vastness and changes of the sea have impressed Xu Jianyang since he was a child, and created the soul of his art works. The sea is changeable, sometimes it is as quiet as a virgin, and sometimes it is roaring. Between the sea and the self, he chose tranquility. , plain; feel the changes of the universe and nature in tranquility. For Haosen's philosophy on the universe, his plainness is not ordinary and exhausted, but to vent the profoundness of the ever-changing world in a limited space.
The seemingly simple and clean images deeply project a rich tranquility, which is shaped according to the objects, achieving the beauty of plain beauty, the beauty of nature, which is dry on the outside and creamy on the outside, and greatly expands the expression space of the images in the painting. The formation of the orientals also reflects the pure spiritual realm, and starting from the psychological structure, it is analyzed that the landscape culture contains the emotions and colors of the cultural psychology, which is both reasonable and affectionate.